Green, Red, Black and Female

I recently read a very moving and persuasive article on Truth-Out.org, one of my progessive blog reading indulgences.  It was so powerfully written that I can’t help sharing some of my favorite quotes and some of the questions it flooded into my mind.  The Future Must Be Green, Red, Black and Female just had one of those titles that grabbed my attention and demanded to be read.

Robert Jensen is an outspoken activist and constantly inspires on how to make things happen in the future.

Our task today is not to scurry around trying to hold onto the world as we know it, but to focus on how we can hold onto our humanity as we enter a distinctly different era of the human presence on the planet, an era that will challenge our resolve and reserves.

 This point of view seems to be an essential part of the thought process of all of my friends and peers, we assume that we are creating the world we will live in.  But the challenging portion is that we don’t necessarily imagine that the world we will live in is nothing like the world of our parents, even less then how their world was like that of their parents.  There has been a fundamental shift in the power balance of the world; our population and consumerism have done nothing but grow for centuries, but can they continue to do that?

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The Created Dichotomy between Urban and Rural

I’ve been spending a bit of time of late attempting to put into words my opinions and experiences on living within a city. I am happy learning design and architecture in a city like Raleigh that is reshaping its boundaries, its identity and consequently the lives of those of us that choose to live in and around it. The result is this essay that is published online in the NC State College of Design Student Publication.

Within my short lifetime I’ve had the privilege, as the daughter of an Air Force officer, to move, live and travel across the United States. I grew up a person without a place that defined home – I had many places, many identities from which to choose. We moved back and forth between military bases and suburbs in seven states. In between moves, we traveled to major cities as tourists and rural countrysides for family visits to my parents’ childhood homes. My father is the son of two Southern school teachers who are the product of dairy farm owners and mill workers. My mother was the first of her Appalachian family to go to college; her mother is a housekeeper and her father was a salesman and carpenter. These rural roots have built my intuition and guided me to a deep love and understanding of rural life. Clarity comes as I grow older; that, neither the rural world of my grandparents, nor the suburban world of my parents is mine. The shifts in perspective I had as a child, each time I moved, spotlight the positive and negative of living in the country and the suburbs; so as I embarked for adulthood, I chose to live in a growing city.

As a student of architecture, I am beginning for the first time to understand the making of place and the meaning of place to its inhabitants. This new understanding is providing me with a language to describe the links within my dichotomous life – spent half in the city and half in the country. Yet, it is also the idea of architecture, of man-made landscape in contrast to the natural landscape, which gives rise to the dichotomy between urban and rural spaces.

Thomas Cole, “Allegorical voyage: Youth”

The rural is a part of the American landscape much loved and much ignored. From the earliest days, America has been a land of wilderness and since the Transcendentalists, that wilderness has been a wonderful and idyllic place in sharp contrast to the dirty cramped city. However, in the last century, as the population of America switched from being primarily rural to primarily urban, this view has changed.

a futuristic view of Houston

Gone is the idea of the dirty industrial city, we now live in shining “new” cities planned and built by modern architects. Prevalent throughout the same culture and contrasted sharply to the college-educated city sophisticate is the idea of the backwards country bumpkin, living in a forgotten farmhouse and raising children with last century’s level of education. Every part of society stereotypically perpetuates the differences between the city and the country. Yet, one profession which is uniquely tied to spatial and cultural relationships almost completely ignores not just the divide, but rural areas altogether.Our world of design is dominated by theories of urbanism in all shades, but discussion of the rural fabric is a conversation from which architects have largely removed themselves. The massive cultural and landscape shifts that have taken place across rural areas over the past century have affected the relationship between urban and rural. As the city expands past its densest patterns, to invade rural areas with subdivisions and strip malls, the value of rural land has become quantified into business opportunities and annex proposals. The gap between urban and rural is expanding as quickly as the suburban sprawl that is separating the two. The gap is physical and social. The loss of value has been felt by both the city sophisticate and rural hick, yet each has responded by attempting to create value in vastly different ways.

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Temporary Permanence

I’m 22 years old.  In those years, I’ve moved somewhere around 19 times.  Yes, I’m an Air Force Brat; it’s to be expected that transience was a major part of my life.  Growing up in this way I came to value adaptability and independence in myself over the dependence on a community of neighbors or friends.   (This is perhaps counter-intuitive to some people who see the military as a tightly-knit group of families, but in my experience that is not always the case and besides that I have – for most of my life – been a fairly introverted person.)  My temporary existence in any one space led me to see the location where I happened to live in a very detached manner – it didn’t necessarily stir any feelings of pride or empathy but perhaps made good stories to tell people when I got to the next place.

It is a given that time breeds investment.  So having spent very little time in one place until my recent adult years I think it is safe to say that I have a keen understanding of the human need for investment in place.

Now, I am an architecture student.  I am learning to be a designer of spaces that people can invest in: PLACES.

But I find myself challenged with questions.  Who are these people?  Who invests in their neighborhood?  Who invests in their city?  Why would you invest?  Who is allowed to invest?  How do you define a cultural investment?  How do you define an architectural investment?

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